Daily Reel #16.

I thought I’d start off June right with a Daily Reel image that is definitely one of, if not my most, well known images I’ve ever shot. This photo happens to be the cover of The Chariot’s 4th full length album, “Long Live” (pictured below). At this point in my life, I had only been doing photography professionally for a little over a year, even though I had been shooting bands live for 5 years. I was still in the early stages of trying to learn how to make a living at it and trying to get my name out there. I had met and become a good acquaintance with David (Cha Drummer) years before, but hadn’t seen him in a while since he had joined The Cha and was all over the world. Through another friend of ours, Logan (the legs behind Wolf pictured above) I was told to go to the a show The Cha was playing in Atlanta. Reconnecting with David I had no clue where life was heading. I met all the guys, took a bunch of photos of them and all of the bands. I spent two weeks that brought me close to the guys I call some of my closest friends, delivered the images to the Chariot boys, and David then asked me to shoot their free show at the 7 Venue that summer.

The free show is where this image was taken. If you’ve ever shot a live band that moves around a lot, you understand you’ve got to work for the shot… but shooting The Chariot is a whole other ball game. I don’t think there is any other band that is harder to shoot in this world. If there is, I’d love to see them live. So hard to shoot, but so worth it in the end. If I had to chose a band to shoot forever, it’d be The Chariot… or Johnny Cash, Minor Threat, or Further Seems Forever, just because you know? This show was wild and I got a lot of gems featured in the album art. This was the image that was chosen to be the cover. Wolf some how fell and just kept going on the ground. I was on top of a PA opposite side of the stage from him. I saw those legs flailing in the air amongst strobes. When I went in for the edit, I was super pleased with this capture. Reminded me a lot of older rock photos from bands like The Who in the 1960′s or punk rock bands from the 1970′s – 80′s like The Clash, Black Flag and Bad Brains. NOT that I’m nearly as good as those photographers who took some iconic images, but the capture gave me the same feeling. I’ve tried implement classic live photography into my knowledge of this digital age and accessible lighting. I hope to always continue to get better at it.

Summing up a long story: Josh asked me to come out on tour in 2010 to take photos and help with merch. It was one of the best experiences in life at that point. I am forever grateful to David, Josh, Stevis, Wolf, and Brandon. It was especially a proud moment in Chicago when Josh and David came to tell me that my images would be used for the entire “Long Live” album art. One of my lifetime aspirations was made that day. To see your work on something that is all over the world will never be something I take for granted. I am still floored by the blessings the Lord has shown me through my friends. I have been through much with the band, them all individually, and especially David. I’ve been shown so much of who Christ is in my professional and person life, which is very meshed. I grew a lot from all the work I’ve done with The Chariot, that is why I am forever thankful and supportive of who each guy is and what the band stands for.

Specs: Canon 5D mk II, Canon 50mm f/1.4, Alienbeen 1600w right backside of stage, flood light right front side of  stage.

 

Daily Reel #15.

For today’s post I found an old Cynotype I did in College. For those of you who don’t know what a cyanotype is, it is an old printing process discovered in the late 1800′s. It was originally used more by the engineering world but, Anna Atkins brought it to the photography world. It’s a pretty simple process. You can by kits online, mix the chemicals, coat pretty much ANY absorbent service with the light sensitive solution, use a strong light source (we used the sun), rinse and dry. In school we printed mostly on pure cotton paper, but we mixed it up too with printing on things like a T-Shirt and a wooden bed tray for breakfast in bed. It was a ton of fun and you should try it out. Check out how to do it here: http://www.alternativephotography.com/wp/processes/cyanotype/cyanotype-classic-process

The shot itself was captured in that old abandoned prison off Key Road. It’s been shot to death now, but it’s still a cool spot to go explore. It was shot on my digital SLR. In Photoshop I turned it black and white and inverted it. Then I printed the photograph onto a transparency and then used it as the film laid on top of the light sensitive paper. This one of several that I have. I’ll post more in the future.

Specs: Canon 50D, Canon 17-85mm EFS, Printed on 11×8.5 Transparency, then exposed on pure cotton paper from Hobby Lobby.

Daily Reel #14.

This is an image from one of the recent shoots I’ve done with music artist Chadd. He’s headed to LA to work with some producers on his new single. Exciting things happening for this guy, which is great because he is an awesome dude. I’ll be posting a full post about this shoot in the next week. I just wanted to get a daily reel up because it’s been a while, but due to being busy… which is a big blessing. Very thankful right now.

Specs: Canon 5D mk II, Canon 50mm f/1.4, Alienbee 1600w with a Beauty Dish & Sock.

Daily Reel #13.

A continuation from yesterday’s post, today is an interior of The Fox Theatre in Atlanta. The hallway you see is located on the 3rd floor, it leads into the 3rd level balcony seats. It was one of the darkest shots I’ve ever had to take. I previously mentioned in the last post that before this shoot, I had never exposed a 4×5 for more than a minute. With this shot, it was an 11 minute exposure. Doesn’t seem like that big of a deal but when you are working with film that costs $4 a sheet, no polaroids to test with, a couple weeks before your final is due, limited access to your location, and all around being broke… It’s a big deal to make sure and get a shot, that takes at least an hour to shoot, right. It was so dark in the hallway that I couldn’t see the edges of the walls to make sure the plain was straight up and down. I had to have a friend that was assisting me take a flashlight and move it up and down a wall as I sat behind the glass trying to make sure my lines were completely straight. It took at least 10 minutes just to get the the plain right, but it turned out to be perfect, well to me.

Specs: Camulet 4×5 View Camera, I believe an 100mm lens, Kodak Portra 400 4×5 film.

 

Daily Reel #12.

Today’s shot is a one of my final 4×5 film images for Architecture in college. I honestly didn’t enjoy Architecture until this final project. I couldn’t stand photos of boring architecture, especially houses… which was what I shot most of in that class. But I wanted something awesome  for my final project. So after calling every number and email every email I could find for the Fox Theatre, I was able to reach an intern by the name of Yoonhwa who is now apart of their Restoration Staff. She was super awesome and actually let us stay for 8 hours the first day and a couple hours the second. Because of her kindness, I made an A in Architecture and had 5 final Architecture images for my Graduation Portfolio.

I loved shooting The Fox. As you can imagine, the inside is incredible. I’ll post one of the interior images tomorrow. Before this shoot, we hadn’t exposed longer than a minute at school with the 4×5 cameras. Each shot I did of these images, besides this exterior shot, was 4 minutes to 11 minutes. This exterior shot was about 1 minute. Check out the specs.

Specs: Camulet 4×5 View Camera, I believe an 80mm lens, Kodak Portra 400 4×5 film.

 

T W I T T E R